27/17
In Graham Norton I liked: Nicole Kidman/Cynthia Erivo/James Norton/Chris McClausland/Benson Boone (2024)
Plot
A powerful CEO puts his career and family at risk when he begins a torrid affair with his much younger intern. Jean Reno filmed scenes for the film, but they were cut entirely from the finished film. I recently watched Babygirl and I have to say it is one of the most unique and daring thrillers I have seen in a while.
First of all, the visuals are stunning
Directed by Halina Reijn, the film delves into the complexity of human desire and power dynamics, wrapped in an intense, almost suffocating atmosphere. Jasper Wolf’s cinematography captures the raw emotion of each scene, blending light and shadow to create a moody, almost dreamlike world. There is a constant sense of tension, as if something explosive is always about to happen, and the pacing keeps you on edge throughout.
That said, Babygirl isn’t for everyone
Nicole Kidman gives an incredible performance, bringing a mix of vulnerability and cold calculation to her character. The supporting cast, while lesser-known, also do a great job, giving the story depth and unpredictability. Without giving too much away, the film’s exploration of psychological control and subjugation feels unsettling and mesmerizing.
It’s unsettling, stylish, and will leave you thinking long after the credits roll
Its erotic elements are tastefully done, but may feel uncomfortable or controversial to some viewers. The plot sometimes feels intentionally vague, forcing you to piece together the characters’ motivations, which I found intriguing but may frustrate others. Overall, if you enjoy psychological thrillers that don’t shy away from taboo subjects and push boundaries, Babygirl is definitely worth a watch.